Showing posts with label Robert Palmer. Show all posts
Showing posts with label Robert Palmer. Show all posts

Thursday, January 11, 2024

Day After Day: Johnny and Mary

Day After Day is an ambitious attempt to write about a song every day in 2024 (starting on Jan. 4).

Johnny and Mary

Robert Palmer was a man of many sounds. Throughout his career, he never really stuck with one style. He had been around a lot longer than people think, especially those who knew him as the "Addicted to Love" guy. He played in some English bands in the late '60s/early '70s before embarking on a solo career in 1974. He worked with Little Feat and the Meters and had some minor success with the songs "Sneakin' Sally Through the Alley" and "Sailin' Shoes," as well as the Caribbean-sounding "Every Kinda People" a few years later. 

But my first time really paying attention to Palmer was in 1979 when he had a hit with "Bad Case of Loving You (Doctor, Doctor)," a song written by Moon Martin. Living in the Toronto area at the time, I heard it constantly on the AM station I used to listen to, 1050 CHUM, and it even hit #1 on the singles chart in Canada. It was a hard rocking ripper that made it to #14 on the Billboard Hot 100 and did well for Palmer in other countries as well. 

Palmer's next album, Clues, was released in the summer of 1980. It features guest appearances by Gary Numan and Chris Frantz of Talking Heads and is probably best known for the excellent sort-of-title song, "Looking for Clues," a new wave jammer with a killer xylophone solo. The song's video was played on Day 1 of MTV in August 1981. But the real grabber for me was the first single "Johnny and Mary," a sad synth-pop number about a troubled couple who can't seem to make the relationship work. It's very unlike the other songs he had previously had success with and didn't make the Billboard Hot 100 in the U.S., but it did reach #18 on the Club Play Singles chart. It fared better elsewhere, like in Canada where I was still living. The song reached #32 on the Canadian singles chart, #44 in the U.K. and #1 in Spain. 

French automaker Renault used the song in numerous ads in the '80s and '90s. The song has been covered several times, most notably in 2014 by Norwegian DJ Todd Terje, with vocals by Bryan Ferry of all people. I had no idea this cover existed before an hour ago, but it's not bad. See below for the video.

Palmer went on to have middling success on his next few albums before teaming up in 1985 with Andy Taylor and John Taylor of Duran Duran and drummer Tony Thompson of Chic to form the Power Station. The sound combined heavy rock with horn-driven funk, powered by big guitar riffs and Thompson's massive drumming. Power Station had two top 10 hits in the U.S. with "Some Like It Hot" and a cover of T. Rex's "Get It On." Palmer performed with the band on Saturday Night Live, but he dropped out of a planned tour at the last minute to go back to his solo career. It ended up being a good move, because the resulting album, Riptide, featured "Addicted to Love" and the video with the female models pretending to be his backup band. The song went to #1 in the U.S. and he had more hits with "Simply Irresistible" and "I Didn't Mean to Turn You On." Wearing his trademark suave suit at all times, Palmer was a fixture on MTV in the last half of the '80s. The '90s were less successful for Palmer but he kept at it with covers and standards albums, even reuniting with the Power Station for an album in 1996. 

Sadly, he died from a heart attack at the age of 54 in 2003. Reportedly, he was a big smoker, getting up to as many as 60 cigarettes a day. I honestly don't know how that's possible, but whatever the case, it couldn't have been good for him. Thankfully, he left behind a fine and varied catalog, but the peak for me was "Johnny and Mary."

Wednesday, March 31, 2010

Mixology: Jason Voorhees Sings Motown

Mixology is a recurring feature in which I take a look at one of the many mix tapes I made over the years. Some are better than others, but all of them are fun to revisit.

Jason Voorhees Sings Motown (10/29/88)

My senior year at UNH was a lot of fun. I had just completed a summer internship at the Peabody Times that confirmed my desire to become a newspaper reporter. It also gave me a semester's worth of credits that left me with only three required courses to take to graduate.

Of course, I had no desire to leave school early, so I spaced them out over the full year and took some other stuff just for the fun of it, like Writing Poetry (with future Pulitzer winner Charles Simic). The previous year, I was the news editor at The New Hampshire, spending 30 hours a week at the paper. I decided to step back from that role into a reporting position, writing a regular column and helping create Laphos, a humor supplement. But mostly, I just partied a lot and enjoyed the last vestiges of a responsibility-free life.

My roommates and I were in our second year in our off-campus apartment and things were good. There were four of us crammed into a two-bedroom flat, but it still beat living in the dorms. As with some of my previous mixes, I made this tape in anticipation of a party we had.

I don't remember the party, but the mix is full of the mostly mainstream music we were listening to and watching on MTV. U2 was HUGE and Rattle and Hum, the movie was about to come out; my roommate Rob had already picked up the album. Coming after the magnificence of The Joshua Tree, anything was bound to be a disappointment and Rattle and Hum was, although to be fair, it wasn't meant to be a proper studio album. It was a collection of studio and live tracks designed to go with the documentary, which was originally envisioned as an arthouse pic to play a small run. But the movie went over budget and the band's success turned into it into something bigger, but it stiffed at the box office. Still, there are some good songs on the album and "When Love Comes to Town" with BB King is a great track.

The mix is a pretty fair representation of what we were listening to at the time. Yeah, Sting, Clapton, Hornsby, Mellencamp. It is what it is. But you can see the evolution into alt-rock as I worked the Cure, REM, and Midnight Oil in there. The Van Hagar track is probably the only song of theirs that I can stomach these days and the DLR song came from his second, less good solo album. And you've gotta love a party mix that ends with a Midnight Oil song about Australian aboriginal rights. If that doesn't say party, what does?

The side names come from the infamous McDLT sandwich that McDonald's was hawking at the time. If you were a sentient being at the time, you remember it:




Side A: Hot Side Hot
When Love Comes to Town - U2
Be Still My Beating Heart - Sting
In Today's Room - Squeeze
Early in the Morning - Robert Palmer
Mystify - INXS
Miss You - Eric Clapton
Tunnel of Love - Bruce Springsteen
Cherry Bomb - John Mellencamp
The Valley Road - Bruce Hornsby
Brothers in Arms - Dire Straits

Side B: Cool Side Cool
The Boy in the Bubble - Paul Simon
Dance Little Sister - Terence Trent D'Arby
Blind - Talking Heads
Hot Hot Hot!!! - The Cure
It's the End of the World as We Know It (And I Feel Fine) - R.E.M.
Sweet Fire of Love - Robbie Robertson (with U2)
Finish What Ya Started - Van Halen
Damn Good - David Lee Roth
Pour Some Sugar on Me - Def Leppard
Beds are Burning - Midnight Oil



The late great RP:


Hot x 3:

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