Showing posts with label Black Francis. Show all posts
Showing posts with label Black Francis. Show all posts

Tuesday, May 14, 2024

Day After Day #132: Headache

Day After Day is an ambitious attempt to write about a song every day in 2024 (starting on Jan. 4).

Headache (1994)

What do you do when you have a massively influential band that you don't want to be in anymore? If you're Charles Thompson (aka Black Francis aka Frank Black) and you're done with the Pixies, you just keep going. 

After breaking up the band in 1992, Thompson started working on a solo album with Eric Drew Feldman, who had collaborated with the Pixies, Captain Beefheart and many others. That album, 1993's Frank Black, was named after his new stage moniker and was a fitting follow-up to the final O.G. Pixies albums, Bossanova and Trompe Le Monde, full of songs about UFOs and sci-fi weirdness. 

For his second solo album, Black worked with Feldman again, as well as his old Pixies bandmate Joey Santiago, Lyle Workman, Moris Tepper and drummer Nick Vincent. By the time Teenager of the Year came out in May 1994, Black's former bandmate Kim Deal was already riding high with the Breeders and their '93 release Last Splash. 

Rather than compete on a popularity level with Deal, Black released a 22-song collection of weird and awesome little songs, most of which were under 3 minutes long. Teenager of the Year wasn't really appreciated when it came out, although the song "Headache" got a little MTV and radio airplay, hitting #10 on Billboard's Modern Rock tracks.

"Headache" was the catchiest song on the album, so it made sense as a single. It was also a great ditty about dealing with life's stresses.

"This wrinkle in time, I can't give it no credit/I thought about my space and I really got me down/Got me so down, I got me a headache/My heart is crammed in my cranium and it still knows how to pound/I was counting the rings/And I fell me into sleep/I peeked to see if you were way back when/I was counting trees/Until a day when there was one/I'd hoped beneath, asleep is where that you had been."

It's about as joyous sounding a song about a headache as you're going to find, filled with glorious pop harmonies and maybe even some redemption.

"Well, I found you/Maybe you can help me/And I can help you."

The video is gloriously weird, as a multiple Frank Blacks sing the harmonies, fly and take a chainsaw to a giant pain pill.

Teenager of the Year hit #2 on the Billboard Heatseekers chart and #131 on the Billboard 200. It didn't get a lot of love until later, but I'll pat myself on the back and say I loved it from day 1. I got into the Pixies late in their first run and then was digging the solo stuff from Frank and Kim. But Teenager of the Year is still my favorite post-Pixies album. It reminded me a bit of a Guided By Voices album, both in the short song lengths and the wide range of subject matter; Black sings about old video games, outer space (duh), record store snobs, historical Los Angeles, the Three Stooges and long road truckers. The arrangements are fun and interesting and 30 years later, it still sounds amazing.

Black released another good solo album in '96 and then formed the Catholics, which was a much more straightahead rock band than the Pixies. He released several more albums before reuniting with the Pixies in 2004 for a tour. He continued to release solo material throughout the '00s while also playing Pixies shows. Deal left in 2013, but the Pixies forged on with new bassists and recorded four new albums and subsequent tours. Black hasn't released any solo material since 2011, but the Pixies (now on their third post-Deal bassist) are still touring.


Saturday, April 27, 2024

Day After Day #115: Gouge Away

Day After Day is an ambitious attempt to write about a song every day in 2024 (starting on Jan. 4).

Gouge Away (1989)

It's difficult to overstate how important the Pixies are to modern rock music. People tend to forget how much they influenced bands like Nirvana and Radiohead, while barely making a dent in pop culture. They're beloved in indie circles but seriously underrated by the music world at large.

The Pixies were formed in Boston in 1986 by Charles "Black Francis" Thompson and guitarist Joey Santiago, adding bassist Kim Deal and drummer David Lovering. They released Come On Pilgrim in 1987, filled with eight electrifying songs about sex, religion, UFOs and cryptic imagery. 

The band's first full length album was 1988's Surfer Rosa, which got more acclaim in Europe than in the U.S. Recorded by Steve Albini. The dark themes continued, and the band's loud/quiet/loud dynamics inspired the likes of Kurt Cobain, as did the Pixies' ability to merge noise and pop sounds.

For 1989's Doolittle, the band worked with producer Gil Norton. The two singles from the album, "Monkey Gone to Heaven" and "Here Comes Your Man," were poppier numbers that became staples on alternative rock radio and now, 35 years later, can be heard in commercials and movie soundtracks. But the album is full of classic deep tracks like "Debaser," "Tame," "Wave of Mutilation," "Mr. Grieves." 

For me, the best song is the album closer "Gouge Away," which is based on the Biblical tale of Samson and Delilah.

"Gouge away, you can gouge away/Stay all day if you want to/Missy aggravation, some sacred questions/You stroke my locks/Some marijuana, if you got some."

Propelled by Deal's bass and Lovering's drums locked into a tight groove, the song roars during the verses with distorted guitars and Francis' bellowing vocals.

"Sleeping on your belly, you break my arms/You spoon my eyes/Been rubbing a bad charm with holy fingers/Gouge away, you can gouge away/Stay all day if you want to/Chained to the pillars, a three-day party/I break the walls/And kill us all with holy fingers/Gouge away, you can gouge away/Stay all day if you want to."

It's a hell of a way to close out an album. Talk about leaving people wanting more. Commercially, Doolittle was the first Pixies album to enter the Billboard 200, getting up to #98, but in the U.K., it went all the way to #8. Things weren't great with the band, though, as Francis and Deal and were clashing regularly. The band took a hiatus after the tour ended, during which time Deal formed the Breeders with Tanya Donelly of Throwing Muses and released Pod in 1990.

The Pixies released two more albums, Bossanova and Trompe Le Monde, over the next two years. After an opening slot with U2 in 1992, the band again went on hiatus. Francis then announced in a 1993 interview that the band was done, before he had told the other members of the band. Later, he famously notified Deal and Lovering via fax. Francis renamed himself Frank Black and began solo career, Deal continued on with the Breeders and Santiago formed the Martinis and played on a number of albums by other artists. Lovering became a magician and also played drums with Cracker. 

The original lineup of the Pixies reunited in 2004, touring throughout the year. They continued playing shows over the next several years. Deal left in 2013 and was briefly replaced by Kim Shattuck of the Muffs before Paz Lenchantin joined the band. She was in the band for four albums until she was dismissed earlier this year and replaced by Emma Richardson, formerly of Band of Skulls. The post-Deal albums are solid if unspectacular, only highlighting how great those original Pixies albums were.

I saw the Pixies on that first reunion tour at the Tsongas Arena in Lowell, with Mission of Burma opening. It was great, but I wish I had seen them when they were playing clubs in the early days. I've seen Frank Black and the Breeders numerous times over the years, though, and those shows were all terrific.

Monday, March 07, 2011

Completely Conspicuous 166: The Future is Unwritten

Check out part 2 of my podcast conversation with special guest Eric Convey as we discuss the current state of journalism. Listen to the show below or download it directly (right click and "save as").



The show notes...

Topics:

- Eric's Managing Editor of the Boston Business Journal

- Nobody knows where journalism is going

- Rupert Murdock may have the answer with The Daily, designed for the iPad

- Local news could survive through iPad, smartphone apps

- Local news is the only niche left

- AOL bought Huffington Post for big bucks

- Eric: AOL's Politics Daily is most interesting news site

- AOL's Patch doesn't need local advertisers, it needs clicks

- Eric's food adventures at the Peabody International Festival

- Eric: BBJ uses print and web to thrive

- Worked at Boston Herald for 11 years

- Tales of covering overnight accidents

- Eric: Print papers aren't economically sustainable long-term

- Papers are moving towards charging for online access

- When Boston Globe starts charging, the Herald will follow

- When you're forced for everything, where will traffic go?

- From the start, Wall Street Journal was saying papers should charge

- Nobody really understood online commerce in the '90s

- Jay: Used to buy Globe and Herald every day; now just read them online for free

- Similar parallel to music industry

- Music sales are an all-time low

- Eric: Print is still in the picture at BBJ

- Eric teaches a college journalism class

- Helps students think like journalists

- Some are still looking for newspaper jobs

- Students all have laptops or iPads now

- The future is scary

- Bonehead of the Week

Music:

Art Brut - Unprofessional Wrestling

Black Francis - Bad News

Robert Pollard - Touch Me in the Right Place at the Right Time

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The show is sponsored by Budget, the country's premier car rental service with 900 locations. Go to Budget.com/CompCon and save 10% off any reservation or $30 off a weekly rental.

The Art Brut song is a B-side from the forthcoming album Brilliant! Tragic! on Cooking Vinyl Records. Download the song for free (in exchange for your e-mail address) at PledgeMusic (via Stereogum).

The Black Francis song is on the album The Golem on The Bureau Records. Download the song for free courtesy of IODA Promonet:

The GolemBlack Francis
"Bad News" (mp3)
from "The Golem"
(The Bureau)

More On This Album



The Robert Pollard song is from the album Space City Kicks on Guided by Voices Records. Download the song for free at Spinner.

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blogs Clicky Clicky and Keeping Some Dark Secrets. Additional music used in the show is by Me and Boris the Bull, which is the brainchild of the mighty Mark Campbell. Thanks to Bob Durling for the album art; find out more about his photography at his blog. Voiceover work is courtesy of James Gralian.

Completely Conspicuous is a Tan God Production. Word.

Friday, January 21, 2011

Mixology: Jumpstart Jukebox

Mixology is a recurring feature in which I take a look at one of the many mix tapes (or CDs) I made over the years. Some are better than others, but all of them are fun to revisit.

Jumpstart Jukebox (January 2008)

January can be a real killer of a month. It's dark, cold and miserable. There's not a whole hell of a lot to do except wait for it to be over. This doesn't change from year to year, but at least there's rock to get us through.

Despite January being pretty much a wasteland in terms of new releases, this mix contains all new stuff that had come out in the preceding few months. It was a heady time in these parts: At the end of January 2008, the Patriots were 18-0 and heading to the Super Bowl to face the Giants. I don't remember what happened after that, just like I don't remember what happened to the Pats last weekend. It's all a blank and it's gonna stay that way.

I had just begun training for the New Jersey Marathon, which remains my fastest race (3:43). The Leafs fired GM John Ferguson Jr. and optimism reigned supreme; alas, three years later, they still suck big time. The more things change...

Idle Hands - The Gutter Twins
Goodbye Daughters of the Revolution - The Black Crowes
Baltimore - Stephen Malkmus and the Jicks
(My Head)/R.I.P. Allegory - Times New Viking
Bamboo Banga - M.I.A.
Tell Me - Sharon Jones and the Dap-Kings
I Want Oblivion - Heavy Trash
Navy Nurse - The Fiery Furnaces
Bad Phone Call - Buffalo Tom
Two Daughters and a Beautiful Wife - Drive-By Truckers
Devastation - The Besnard Lakes
Angels - Black Mountain
(I Don't Need You to) Set Me Free - Grinderman
Tight Black Rubber - Black Francis
Skinny Love - Bon Iver
Society - Eddie Vedder
Wonderful Witches - Thurston Moore
Phantom Limb - The Shins
Conquest - White Stripes




Idle Hands:


Tight Black Rubber:

Wednesday, September 02, 2009

Completely Conspicuous 92: A World of Fantasy

The latest episode of the podcast features another installment of Driving with Kumar, as I discuss my fantasy football draft. Click here to listen to the show in streaming audio or download it directly here (right click and "save as").

The show notes...

Topics:

- Fantasy football draft preparation

- In fantasy sports leagues since '91

- No longer just for nerds

- Haven't gone overboard on research

- Listening to fantasy football podcasts

- Draft strategy

- Football picks pools

- First baseball league was pre-Internet

- Stats were faxed to us

- Now you get real-time stats online

- It's a crap shoot

- Draft post-mortem

- Pinhead of the Week

Music:

- Black Francis - All in My Mind

- The King Khan and BBQ Show - Invisible Girl

- Dear Leader - The Blue Print

- Julian Plenti - Games for Days

Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

The Black Francis song is on New Tales to Tell: A Tribute to Love and Rockets on Justice Records. Download the track at Insound.

The King Khan and BBQ Show song is on the forthcoming album Invisible Girl on In the Red Records. You can download the song at Pitchfork.

The Dear Leader song is on the forthcoming album The Blue Print on Lunch Records. Find out more and download the song at Dear Leader's site.

The Julian Plenti song is on the album Julian Plenti is...Skyscraper on Matador Records, where you can download the song.

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blogs Clicky Clicky and Keeping Some Dark Secrets. Additional music used in the show is by Me and Boris the Bull, which is the brainchild of the mighty Mark Campbell. Thanks to Bob Durling for the album art; find out more about his photography here.

Completely Conspicuous is sponsored by Eastbay/Footlocker.com. Use the following promo codes to save money on top-name athletic gear and footwear: AFCOMP15 will get you 15% off any order at Eastbay; AFCOMP20 will get you 20% off any order of $75 or more at Eastbay; and AFCOMPFL will get you 15% off any order at Footlocker.com.

Completely Conspicuous is a Tan God Production. Word.

Stuck In Thee Garage #657: November 6, 2026

Life comes at you quick. Sometimes it's hard to take it all in, but somehow we muddle through. This week on Stuck In Thee Garage, I play...