Sunday, May 04, 2025

Unsung: Just Like Punk, Except It's Cars

Unsung is a feature in which I take a look at a pop culture phenomenon (be it music, TV, literary, whatever) that has been forgotten or underappreciated. In this installment, I take a look at early '90s Gen X marketing.

Generational marketing strategies have always had a certain amount of bullshit to them. It's kind of ridiculous to think that an entire generation of people would respond to the same themes and calls to action. Advertising really took off in the 1960s, '70s and '80s with the Baby Boomer generation, especially as they had more money to spend. 

As a member of so-called Generation X (people born between 1965 and 1980), I grew up watching an inordinate amount of television and seeing an onslaught of commercials. We didn't have ad-free streaming services, so when we watched a show or sporting event, we typically just sat through the commercials. Now it's a lot easier to avoid ads, except when you're watching local stations or live events. 

It definitely became noticeable when advertisers started to market to my generation when we became adults in the early '90s, especially as terms like Gen X were adopted, grunge became a thing and Madison Avenue became convinced that we were all slackers who wore flannel shirts and ripped jeans and didn't have a clue about what we wanted to do with our lives. And sure, there were people like that, but some of us were also career-driven professionals who had goals and aspirations.

So it was amusing to see some of the lame attempts to sell shit to us. Here's a few notable commercials that stood out to me.

'This Car is Like Punk Rock!'

Thanks to YouTube, we can go back watch early commercials featuring actors who went on to become familiar faces. Jeremy Davies (whose given name was Jeremy Boring) started out with appearances in the early '90s on General Hospital and The Wonder Years, but in 1993, he starred in a commercial for Subaru, comparing the Impreza to punk rock. He's wearing a baggy jacket and pants and a Cobain-esque striped shirt, pontificating on the inherent punkness of a crappy hatchback: "This car's all about reminding you and me what's great about a car, and moving forward, and making cars better and less disappointing. Just like punk, except it's cars." Sure, pal. I remember seeing the ad a few times and thinking about how dumb and obvious it was. No disrespect to Davies, who went on to appear in Saving Private Ryan and have great roles on LOST and Justified, two of my favorite shows. But I could picture some ad copywriter in his mid-50s thinking he was onto something with this punk rock thing, even though grunge and punk were not the same thing and clearly buying a Subaru was not remotely related to punk. I can only imagine what the guys in Fugazi thought about this bunk. It's fun to look back at, though.

'Things Are Going to be OK'

History is littered with the debris of soft drinks that came and went. In 1993, Coca-Cola tried to appeal to apathetic Gen Xers with a new beverage called OK Soda that was marketed with ironic ads that emphasized its "OK-ness." Trying to be cool by pretending to not give a shit about the product, Coke focused more on the marketing than the drink itself, which its own ads said tasted like "carbonated tree sap." It was supposedly similar to an orange soda mixed with Coke and it didn't sell well. The ads were oh-so-clever and hip, talking about "OK-ness," but they didn't resonate with anyone, let alone with the 20somethings they were going after. The cans had bleak packaging with drawings of glum-looking young people who couldn't care less if you liked the drink, and featured dour slogans like "What's the point of OK Soda? Well, what's the point of anything?" The underlying message of the ads was "Things are going to be OK," but ultimately they weren't for OK Soda, which was test-marketed in nine cities and was a huge flop.

'Obey Your Thirst'

Coca-Cola had better luck in 1994 with its "Obey Your Thirst" campaign for the lemon-lime beverage Sprite. The ads targeted African-American consumers with hip-hop-themed ads featuring NBA stars Grant Hill and Kobe Bryant and cool artists like Nas, LL Cool J and A Tribe Called Quest. One from 1996 featured three street ballers making a soda commercial, who when they screw up a take are revealed to be English thespians, with the lead saying, "Don't talk to me like a child. I played Hamlet at Cambridge." Then "Image is Nothing. Thirst is Everything" flashes on the screen, followed by a voiceover that says, "Trust your gut, not some actor." Sprite continued with the campaign until 2006, and has revived it a few times since.

'Save a Buck or Two'

One of the more '90s developments was the advent of services like 1-800-COLLECT. After AT&T's monopoly on collect calling was broken up in 1993, MCI made a big splash into the collect-calling market by launching 1-800-COLLECT, which would allow users to place collect calls at a cheaper rate than AT&T; of course, the person you were calling was still on the hook for the call. MCI rolled out a huge marketing blitz with commercials featuring celebrities like Phil Hartman, Wayne Knight, Mr. T. and Arsenio Hall, but some of the more memorable ads from 1994 featured SNL star David Spade and the great Larry "Bud" Melman, who rose to fame as a comic foil on David Letterman's late-night shows. Spade was known for his snarky personality and certainly brought that to the fore in the ads, which presented him as an irreverent and sarcastic/annoying Gen Xer (which of course he was). I never used the service and didn't know anyone who did, but the ads were on constantly. Most of the service's users were on pay phones, which were also prominently featured in the ads. But by the early 2000s, the burgeoning popularity of cell phones and declining use of pay phones led to the end of the ads, although the service is still operational, despite the fact that MCI isn't a thing anymore.

'Los Angeles, Start Your VCRs'

Beer commercials have always been a staple of TV advertising, and in the '90s, Bud Light began a regional campaign called Bud Light Spotlight in different markets around the country, focusing on "real" Bud Light drinkers in local bars. I never saw this at the time, but the Los Angeles market got a grunge-themed ad that is so cringeworthy and amazing. It features a long-haired Evan Dando wannabe who's singing "I just want a Bud Light" while one of the women he's with breathily describes how drinking a BL makes her feel good all over. It's something, that's for sure. I'd love to see a follow-up ad in 2025 that catches up with these three, just to see what they look like now. 

Friday, May 02, 2025

Stuck In Thee Garage #578: May 2, 2025

Winning isn't everything, but it's pretty cool. This week on Stuck In Thee Garage, I played songs about winning in hour 2 and hot new numbers from PUP, Mclusky, Viagra Boys and Wet Leg in hour 1. On your marks, get set, go!


This playlist is off to a good start:

Hour 1

Artist - Song/Album

PUP - Get Dumber (feat. Jeff Rosenstock)/Who Will Look After the Dogs?

Mclusky - Chekhov's Guns/The World is Still Here and So Are We

Viagra Boys - Man Made of Meat/Viagr Aboys

Scowl - Let You Down/Are We All Angels

Wet Leg - Catch These Fists/Moisturizer

Ekko Astral with Mikie Mayo and Dreamrats- Shred Empty Blues (Popped Version)/Pink Balloons: Popped EP

The Bug Club - Better Than Good/Live at KUTX's Studio 1A

Ty Segall - Possession/Possession

Savak - Tomorrow and the Day After/Squawk!

Lunchbox - Satellite/Evolver (2025 Vinyl Edition)

Model/Actriz - Diva/Pirouette

Preoccupations - Bastards/Ill at Ease

Chime Oblivion - The Uninvited Guest/Chime Oblivion

Friend of a Friend - Oasis/Desire!

Tunde Adebimpe - Somebody New/Thee Black Boltz

Bantom Woods - The Chase/All Due Respect

Mekons - You're Not Singing Anymore/Horror


Hour 2: Winning

Motorhead - Live to Win/Ace of Spades

Ty Segall - Every 1's a Winner/Freedom's Goblin

Infinity Girl - The Winner Always Talks/Somewhere Nice, Someday

David Bowie - Win/Young Americans

Baked - I Win/Farnham

Emily Haines & the Soft Skeleton - Winning/Knives Don't Have Your Back

Kathy Valentine - Win/Light Years

Girlpool - Like I'm Winning It/Single

Quasi - The Losers Win/Breaking the Balls of History

The Police - When the World is Running Down, You Make the Best of What's Still Around/Zenyatta Mondatta

Sloan - A Sides Win/One Chord to Another

The Beths - Best Left/Expert in a Dying Field

Lilys - The Lost Victory/The 3 Way

The Horrors - Little Victories/Strange House

Thee Oh Sees - Savage Victory/Drop

Gustaf - I Won/Package Pt. 2


Soundtrack your sprint to the finish line HERE!

Sunday, April 27, 2025

Unsung: After School Special

Unsung is a feature in which I take a look at a pop culture phenomenon (be it music, TV, literary, whatever) that has been forgotten or underappreciated. In this installment, I take a look at ABC's Afterschool Specials, an anthology series that ran for 25 seasons.

The concept of the latchkey kid is mythologized by Gen Xers such as myself, but it was a real thing. For those of us whose parents both worked full-time, it was just a part of everyday life. I'm sure there are still kids who come home from school to an empty house and are left to their own devices until their parents get home, but the term really caught on in the 1970s as more mothers began working instead of staying home with the children. The term actually came up in a CBC Radio program all the way back in 1942, discussing the phenomenon of kids left home alone during World War II when the father was away at war and the mother would need to get a job. 

For me, it began in the mid-'70s when my family moved into our first house in Pickering, a suburb of Toronto. I was 7 and in second grade and would walk a mile to and from school every day. With both my parents working during the day (usually; sometimes my mother would work a different shift at the hospital), I would have my own house key and let myself in after school. My younger brother would be with a babysitter down the street until my mother got home, so I was on my own, making myself a snack and either playing street hockey in the driveway or watching TV. 

With the latter, I remember watching a lot of reruns of shows like Happy Days and Gilligan's Island, but another show I would occasionally check out was the ABC Afterschool Special. These were hour-long mini movies that ran once a month during the school year and often focused on a hot-button topics like divorce, AIDS, rape, drunk driving, teen pregnancy, drugs and even child molestation. They were designed to be educational and entertaining and occasionally controversial. I didn't watch them all the time, but every so often I'd catch one. I didn't watch them after the early '80s, when I was either doing homework or playing sports after school.

The specials weren't always standard movies; sometimes, they were animated or were done as documentaries. The series won 51 Daytime Emmy Awards and four Peabody Awards over the years. Of course, when the ABC specials started doing well, CBS followed with Schoolbreak Specials in 1980 and NBC ran similar programs called Special Treat from 1975-1986. ABC also aired Weekend Specials from 1977-1997, but these were often adaptations of children's stories.

ABC's Afterschool Specials featured a lot of early appearances of actors who went on to bigger things. In the '70s, this included Jodie Foster, Kristy McNichol, Lance Kerwin, Leif Garrett, Rosanna Arquette, Anthony Kiedis (under the name Cole Dammett), Wendie Jo Sperber, David Paymer and Melissa Sue Anderson. In the '80s, the shows featured Melora Hardin, Rob Lowe, Dana Plato, Nancy McKeon, Scott Baio, Amanda Plummer, Helen Slater, Matthew Modine, Meg Ryan, Jennifer Jason Leigh, Cynthia Nixon, River and Leaf (later known as Joaquin) Phoenix, Sarah Jessica Parker, Yeardley Smith (who later became Lisa Simpson), Justine Bateman, Val Kilmer, Michelle Pfeiffer, Mare Winningham, Ajay Naidu, Viggo Mortensen, Lisa Bonet, Kyra Sedgwick, Jennifer Grey, Ben Affleck, Marisa Tomei and Sherilyn Fenn. The '90s featured early appearances by Will Smith, Sam Rockwell, Adam Sandler, Lacey Chabert, Freddie Prinze Jr., Jessica Alba, Kevin Connolly, Lauryn Hill and Sara Gilbert.

Oprah Winfrey's production company took over the series in 1991, with Winfrey introducing the episodes, which included panel discussions on relationships and race relations. But by this time, youth-oriented sitcoms and dramas were regularly producing "Very Special Episodes" that focused on similar hot-button issues for much larger audiences. Eventually, the Afterschool Specials were canceled in 1996, with the last episode running in January '97.

The series didn't shy away from difficult topics and tried not to be preachy, unlike, say, Nancy Reagan appearing on "Diff'rent Strokes" to tell kids to just say no to drugs. There were definitely seriously heavy shows and then more lighthearted stuff, like 1987's The Day My Kid Went Punk, starring The Love Boat's Bernie Kopell and featuring a truly ridiculous premise (nerdy kid who plays violin is rejected by girl he likes and decides to become a "punker"). Or 1980's Stoned, in which Scott Baio starts smoking weed. Or 1984's Summer Switch, in which Robert Klein plays a dad who does a "Freaky Friday" personality switch with his teenage son. Or "Wanted: The Perfect Guy" from 1986, in which a 13-year-old Ben Affleck places a personal ad for his widowed mom. 

"One Too Many" first aired in prime time before becoming an afterschool special in May 1985, starring Val Kilmer, Michelle Pfeiffer, Lance Guest and Mare Winningham as four high school friends whose lives are changed after one of them drives drunk. 

Of course, all these aired during the era where TV choices were limited to the three big networks, PBS and a handful of UHF channels (as well the burgeoning pay cable stations like HBO and Cinemax that emerged in the '80s). Now there are so many options and ways to watch shows, it's hard to keep up. But when I would get home from school in the late '70s, I would toast up a Pop Tart and pour a glass of milk and watch some TV, which might have been an afterschool special starring Robbie Rist as a rich kid granted seven wishes by a genie.

Friday, April 25, 2025

Stuck In Thee Garage #577: April 25, 2025

It's been a long week. Ah, who am I kidding, they're all long weeks. Anyhoo, take your mind off the craziness with two hours of rock jams on Stuck In Thee Garage. This week, I played songs with vocal intros in hour 2, in addition to new hotness from Jon Spencer, Chime Oblivion and Tunde Adebimpe in hour 1. It's a great show, but it won't help you deal with your kid who's gone punk.


Smile for the camera:

Hour 1

Artist - Song/Album

Jon Spencer with Kendall Wind, Spider Bowman and Deke Dickerson - Come On!/Single

Chime Oblivion - Heated Horses/Chime Oblivion

Tunde Adebimpe - Ate the Moon/Thee Black Boltz

Bantom Woods - Nerves/All Due Respect

Leatherman - Slow Motion/Turn You On

Scowl - Fleshed Out/Are We All Angels

Rude Television - Artificial Paint/I Want to Believe

Dean Wareham - You Were the Ones I Had to Betray/That's the Price for Loving Me

Mekons - Sad and Sad and Sad/Horror

Horsegirl - Sport Meets Sound/Phonetics On and On

Guided By Voices - Elfin Flower with Knees/Universe Room

FACS - Ordinary Voices/Wish Defense

Ex-Void - Pinhead/In Love Again

The Taxpayers - Nightmarish Population/Circle Breaker

Lunchbox - Evolver/Evolver (2025 Vinyl Edition)

The Drowns - Boston Accent/View from the Bottom (2025 Jack Endino Remaster)

Kestrels - Nightlife/Better Wonder


Hour 2: Vocal intros

James Brown - Get Up (I Feel Like Being a) Sex Machine/Funk Power 1970: A Brand New Thang

Run-DMC - Hit It Run/Raising Hell

Run the Jewels - Close Your Eyes (and Count to Fuck) (feat. Zach De La Rocha)/Run the Jewels 2

The Stooges - T.V. Eye/Fun House

Dizzee Rascal - Fix Up, Look Sharp/Boy in Da Corner

Queens of the Stone Age - Emotion Sickness/In Times New Roman...

AC/DC - Kicked in the Teeth/Powerage

Iron Maiden - Can I Play with Madness?/Seventh Son of a Seventh Son

INXS - Mystify/Kick

Johnny Foreigner - Feels Like Summer/Grace and the Bigger Picture

Titus Andronicus - I Lost My Mind/The Most Lamentable Tragedy

The Beatles - Nowhere Man/Rubber Soul

Queen - Somebody to Love/A Day at the Races

The Who - A Quick One (While He's Away)/The Rolling Stones Rock and Roll Circus


Press play on the rock show RIGHT HERE!

Sunday, April 20, 2025

Unsung: Us and Them

Unsung is a feature in which I take a look at a pop culture phenomenon (be it music, TV, literary, whatever) that has been forgotten or underappreciated. In this installment, I take a look at 1983's US Festival, which set the tone for big music festivals to come.

I've never been a huge fan of rock festivals. I'd rather see my favorite bands headline in smaller venues than go to some gigantic field with a gazillion other people to see a few bands I like play short sets and sit through a lot of other artists I don't care about. Admittedly, part of this is written through the lens of an old man, but I pretty much reached that conclusion in my mid-20s after going to Lollapalooza '93. 

That said, certain festivals have historic impact: Woodstock, Live Aid, regular ones like Glastonbury and Reading and more recently, Lolla, Coachella and Bonnaroo. One that tends to get forgotten is the US Festival, which was launched by Apple co-founder Steve Wozniak, who wanted to create a new Woodstock for the '80s. 

He teamed with famed promoter Bill Graham to put on the first US Festival in September 1982 at Glen Helen Regional Park in San Bernadino, California. This festival got a lot less attention than the one Wozniak held the following year, but it had some big names. Day 1 featured The Police, Talking Heads, the B-52s, Oingo Boingo, the Beat, the Ramones and Gang of Four; Day 2 was the AOR day, featuring Tom Petty and the Heartbreakers, Pat Benatar, the Kinks, the Cars, Santana, Eddie Money and Dave Edmunds; and Day 3 had Fleetwood Mac, Jackson Browne, Jimmy Buffett, Jerry Jeff Walker and the Grateful Dead. The fest featured temps up to 110 degrees, a total attendance of over 400,000 and lost $12 million.

Wozniak returned with a second US Festival on Memorial Day Weekend in 1983 and it got a lot more media attention. Day 1 was the New Wave lineup, headlined by the Clash (playing their last show with Mick Jones and featuring new drummer Pete Howard), along with Men at Work, Stray Cats, A Flock of Seagulls, the Beat, Oingo Boingo, Wall of Voodoo, INXS and Divinyls. 

Day 2 was Heavy Metal Day, which I was more attuned to at the time as a 15-year-old metalhead who read Circus and Hit Parader magazines voraciously. Van Halen was the headliner, along with Scorpions, Triumph, Judas Priest, Ozzy Osbourne, Motley Crue and Quiet Riot. It was timed well, as hard rock and metal was on the rise and all the acts who performed on that day got a huge boost from it. Triumph's performance was especially lauded as a breakthrough for the Canadian power trio, which I had been following since the late '70s. The band ended up releasing their set on VHS; now you can see it and the rest of the sets on YouTube. The bands all played impressive sets, although Van Halen's was marred by the fact that David Lee Roth had been partying all day and was completely shitfaced by the time the band went on. He spent much of set poking fun at the Clash's seriousness and rambling, but the fans still had a good time.

Day 3 was called Rock Day and figured some of the bigger names in music at the time: David Bowie, Stevie Nicks, Joe Walsh, The Pretenders, U2, Missing Persons, Berlin, Quarterflash, Little Steven and the Disciples of Soul and Los Lobos. There was also a fourth day of the festival held the following Saturday, featuring country artists: Willie Nelson, Riders in the Sky, Waylon Jennings, Alabama, Emmylou Harris, Hank Williams Jr., Ricky Skaggs and the Thrasher Brothers. 

The '83 edition of the US Festival also lost $12 million, which was enough to convince Wozniak not to hold another one. But it certainly inspired festivals that followed: Live Aid was held in Philadelphia and London in 1985 and Amnesty International held a series of benefit shows. Lollapalooza followed in the early '90s and there were Woodstock festivals in 1994 and 1999, and then came the current series of regional festivals like the aforementioned Coachella and Bonnaroo and others like Boston Calling and Riot Fest. 

The '83 US Festival had two deaths, but it was relatively uneventful, unlike the chaos that erupted at Woodstock '99. Wozniak innovated by making US the first festival to have Jumbotron-style big screens so folks way in the back could see what was going on, as well as having speakers halfway through the crowd to make the sound better. He also spent huge bucks on the talent, with Van Halen getting $1.5 million and Bowie getting $1 million alone. The festival also featured a satellite linkup to the Soviet Union to promote goodwill between the two Cold War rival nations.

Forty-two years later, festivals are very different in terms of the artists included but they're still big business. They can thank Steve Wozniak for providing the template for the modern rock festival all the way back in '83.

Friday, April 18, 2025

Stuck In Thee Garage #576: April 18, 2025

BOOM! Getting off to a good start is important in every industry, but especially in music. This week on Stuck In Thee Garage, I played great album openers in hour 2. They'll help you figure out a way to defuse that bomb before, well, you know.


Quick, pass me that playlist!

Hour 1

Artist - Song/Album

Pulp - Spike Island/More

Stereolab - Aerial Troubles/Instant Holograms on Metal Film

Dean Wareham - The Cloud is Coming/That's the Price of Loving Me

The Bug Club - Have U Ever Been 2 Wales/Single

Rude Television - Nuclear Dome/I Want to Believe

Mekons - Glasgow/Horror

Leatherman - Tryin' 2 4get/Turn You On

Scowl - Not Hell, Not Heaven/Are We All Angels

Bob Mould - Thread So Thin/Here We Go Crazy

The Taxpayers - I Am One Thousand/Circle Breaker

Destroyer - The Ignoramus of Love/Dan's Boogie

Art D'Ecco - Tree of Life/Serene Demon

Squid - Showtime!/Cowards

Pigeon Pit - Dear Johnny/Crazy Arms

The Men - Black Heart Blue/Buyer Beware

Dax Riggs - Even the Stars Fall/7 Songs for Spiders

Charm School - I Wanna Feel It/Debt Forever

Hunger Anthem - Sun/Lift


Hour 2: Openers

R.E.M. - Begin the Begin/Lifes Rich Pageant

The Godfathers - Birth, School, Work, Death/Birth, School, Work, Death

Fugazi - Waiting Room/13 Songs

Mission of Burma - Secrets/Vs.

Sloan - The Good in Everyone/One Chord to Another

Frightened Rabbit - The Modern Leper/The Midnight Organ Fight

Public Image Ltd. - Happy/9

The Afghan Whigs - Somethin' Hot/1965

Run-DMC - Peter Piper/Raising Hell

A Tribe Called Quest - Excursions/The Low End Theory

Lush - Ladykillers/Lovelife

Elastica - Line Up/Elastica

PJ Harvey - Big Exit/Stories from the City, Stories from the Sea

Guardian Singles - Chad and Stacey/Feed Me to the Doves

Superchunk - Precision Auto/On the Mouth

Butthole Surfers - Who Was in My Room Last Night?/Independent Worm Saloon

Mclusky - Lightsabre Cocksucking Blues/Mclusky Do Dallas


Open up the playlist and melt yer face off!

Wish You Were Here

It's been a little over three weeks since my mother passed. I haven't written about it until now because honestly, I just haven't felt up to it. She had been living down in Washington, D.C., with my brother and his wife since 2022. It was strange to have her living that far away because she'd always been under an hour's drive away from me up until then. 

She was 92, although there was always a question about her real age; she was always cagey about it, saying her birth records burned up in a fire in the village in Kerala, India, where she was born. Growing up, we always thought she was born in 1940, which would have made her 27 when she had me and the same age as my father. Later, I saw that her birth year on her official government documents was 1932 and when she was asked about it, my mom would claim she didn't know how old she actually was. Her parents died when she was young and she didn't have much in the way of family left, other than some cousins. 

My mom was always pretty headstrong. She decided to become a nurse at a time when that profession wasn't seen as appropriate by her family, which would have preferred her to become a lawyer. They were devoutly Syrian Orthodox, an Episcopal branch that started in the Middle East and spread to India. My mom always remained very religious, but she pissed off her family first by becoming a nurse, then moving to Canada in the early 1960s to pursue a career. But the ultimate in-your-face move was marrying a Hindu, which she did in 1967 when she married my dad (his family wasn't thrilled about the situation, either). 

They met in Toronto when they were both attending the wedding of friends of hers; there weren't a lot of Indians in Toronto then (unlike today, when there are Indians everywhere) so my dad somehow scored an invite. My mom was a looker and my dad was immediately smitten, and apparently he just started showing up everywhere she was until she finally agreed to go out with him. They were married in January '67 and I was born nine months later. My brother came along in the spring of '72. 

We bounced around different high-rise apartment buildings in and around the city until we finally bought a house in Pickering, a suburb east of Toronto in 1975. Life was good there. My dad worked as an engineer for Ontario Hydro and my mom was a nurse. I was in school there from second to eighth grade and started high school in the fall of 1981. But that summer, my dad was getting restless at work and decided to take a job on the other side of the continent in Richland, Washington. It was a big change and I'm not sure how much he consulted with my mom about it, or how much resistance she gave. Ultimately, she came from a generation of women that deferred to their husbands' wishes, so she went along with it, even though it meant she would have to study to get her nursing certification in Washington (despite having nearly 20 years of experience as a full-time nurse). There was no doubt some bitterness building up, as well as from the fact that my dad cashed in her pension to help pay for the move, something that would come back to haunt her in later years.

So my dad moved out to Richland early, leaving in June '81 to start working at the Hanford nuclear plant while we stayed in Pickering. We knew we would be leaving at some point, but it wasn't clear exactly when. I started high school and just as I was starting to make some friends, I was told we were moving at the end of November. We first moved into a tiny duplex with my dad and I was enrolled at a junior high nearby. I just remember being sort of shell-shocked by the whole deal. After a month there, my dad found us a pretty nice house across town that we rented, which was great, but it also meant I would be going to my third school in three months. Not ideal. 

Another thing that made me question my dad's strategic competence was the fact that as soon as we got to Richland, we were seeing stories about how the nuclear plant was on the verge of closing. In his haste to get a new gig, my dad clearly hadn't done his research. Richland was basically full of families that moved there because of the plant, so unlike much of the rest of country that was anti-nuke, it was all about it. We got released from school early one day to march in a pro-nuclear power rally. But by early 1983, my dad was transferred to another nuke plant, this one in Seabrook, NH. I finished my sophomore year of high school, was starting to make some good friends, and then we moved the day after school got out. 

Again, he moved out several months before us. My mom had gotten her nursing license in Washington. She was annoyed, to say the least. She actually strongly considered moving us back to Toronto, even going so far as reaching out to a high school there and starting the process of getting me enrolled. I remember we had a coursebook so I could start thinking about what classes I would take there. But it never happened. She didn't want to break up the family, so she decided to go along with the move to New Hampshire. Of course, when she saw the cottage my dad had bought in the middle of nowhere in Kingston, NH, my mom immediately had second thoughts. Like a lot of things he did, my dad didn't put much thought into his decision-making. We were in a tiny town of 3,000 people that was spread out over a huge area, and our house was on the outskirts. 

We persevered. My mom got a job as a nurse at a local hospital and I finished the last two years of high school before going to the University of NH. My brother ended up going to a private school and then Dartmouth (he's smart). But my dad started losing the plot. He began drinking heavily after work, and then after getting laid off (not surprisingly, the Seabrook plant was not doing well, either), he spent most of his waking hours watching TV and drinking. Then his dad and one of his brothers died and he really went off the deep end. I was at college for the bulk of this, while my mom and brother had to deal with it every day. He got a job selling electronics at Sears for a while, and then got a contract engineering gig that sent him to Tennessee for a year. My mom stayed in NH, but it was clear he wasn't doing well on his own. The '90s were rough for him and the combination of diabetes and alcoholism led to his early demise at the young age of 55 in 1996. 

Mom kept working for a few more years before retiring. She moved to Toronto in 2002 and stayed there for four years before moving back to NH. She lived in Hampton until 2020 when it was evident she couldn't live by herself anymore. I had already started managing her bills and doctor's appointments and meds because she was forgetting things. We moved her into an assisted living facility here in Beverly in the fall of '20, where she lived until the summer of '22 when the facility closed for renovations. By this point, her memory was getting pretty bad and she was dealing with a stomach ailment that was making her miserable; she went to many GI docs who couldn't figure out what the issue was. She moved in with my brother for the last few years and it seemed to be a good move for her; she was eating better and was living in a much nicer place. But her health struggles continued and her mental state began getting worse. I visited a few times over the last couple of years and she had gotten pretty surly at times with caregivers (including my brother and his wife). 

I had planned to fly down there in February for a visit and just before I got there, she ended up in the hospital with the flu; while that got better, her body started to shut down over the next few weeks. She didn't recognize/acknowledge me during those few days. Her health didn't improve over the following week and it became apparent she didn't have much time left. We made plans for another visit in mid-March, this time all four of us, to see her one last time. She was in a geriatric psychiatric facility to get her behavior under control; she slept for most of the visit, but occasionally would open her eyes. She seemed to acknowledge us every so often. It was tough to see her in there, especially with other, louder, more disturbed patients around her. As we were driving home, my brother messaged that Mom had been accepted into a hospice facility, where they would make her as comfortable as possible. It was going to be a matter of days, according to the doctor there.

On March 25, my brother told me she had passed. We had been waiting for that news, but it still hit hard. Even though she had been so frail over the last several years, somehow she kept hanging on. Obviously, I've been used to not having a dad for decades now, but it's very different to not have Mom around. I'm glad she's not suffering anymore, because the last several years were difficult for her. And us. 

Here's her obituary, mostly written by my brother.

My brother was much closer to her than I was, but that was partly due to dealing with my dad while I was away. Shared trauma and all that. I was always a little more independent in that I didn't lean on either parent too closely, but I was always closer to Mom. 

It's strange to think she's gone now. She was a great woman who dealt with a lot of difficulty in her life. In a lot of ways, I still haven't dealt with it. I imagine it's going to take a while.

Tuesday, April 15, 2025

Completely Conspicuous 654: The Battle Rages On

Part 2 of my conversation with guest Phil Stacey as we wrap up the first round of a March Madness-style tournament featuring our favorite rock artists. Listen below or download directly (right click and "save as").

Show notes:

  • Finishing up the rest of round 1
  • Stevie Wonder vs. the Pretenders
  • Talking Heads vs. U2
  • St. Vincent vs. Sonic Youth
  • Elvis Costello vs. the Replacements
  • R.E.M. vs. the Who
  • Beck vs. Dire Straits
  • Jimi Hendrix vs. Jason Isbell
  • Dinosaur Jr. vs. Foo Fighters
  • Drive-By Truckers vs. Tom Petty
  • Pixies vs. Fleetwood Mac
  • Neil Young vs. Sleater-Kinney
  • Steely Dan vs. Husker Du
  • Van Halen vs. Blondie
  • White Stripes vs. the Beatles
  • J. Geils Band vs. Pearl Jam
  • Nirvana vs. David Bowie
  • Coming soon: Round 2, with more tough decisions

Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Friday, April 11, 2025

Stuck In Thee Garage #575: April 11, 2025

There have been some bumps in the air lately, but people still fly all the time. This week on Stuck In Thee Garage, I played songs about flying in hour 2; in hour 1, I paid tribute to Clem Burke and Dave Allen and played a bunch of hot new rock jams. Even the snakes on a plane dig it!


This playlist watches out for snakes:

Hour 1

Artist - Song/Album

Blondie - Dreaming/Eat to the Beat

Blondie - Hanging on the Telephone/Parallel Lines

Gang of Four - Not Great Men/Entertainment!

Gang of Four - Natural's Not In It/Entertainment!

Savak - No Man's Island/SQUAWK!

Scowl - Special/Are We All Angels

Rough Francis - Great to Be Alive/Fall EP

Ty Segall - Fantastic Tomb/Possession

Hallelujah the Hills - Fake Flowers at Sunset (3 of Diamonds)/DECK: Diamonds

Mekons - War Economy/Horror

Billy Nomates - The Test/Metalhorse

Bria Salmena - Closer to You/Big Dog

Destroyer - The Same Thing as Nothing at All/Dan's Boogie

Cameron Keiber - Habsburg Jaw/Nurser


Hour 2: Flying

Plastic Bertrand - Ca Plane Pour Moi/An 1

Pavement - Hit the Plane Down/Crooked Rain, Crooked Rain

Husker Du - Private Plane/Flip Your Wig

Silkworm - Pilot/In the West reissue

Drive-By Truckers - Shut Up and Get On the Plane/Southern Rock Opera

Guided By Voices - Test Pilot/Earth Man Blues

The Tragically Hip - Fifty Mission Cap/Fully Completely

Kristin Hersh - From the Plane/Wyatt at the Coyote Palace

Kurt Vile - Goin' On a Plane Today/(watch my moves)

Tigers Jaw - Plane vs. Tank vs. Submarine/Live at Studio 4

Max Webster - Night Flights/A Million Vacations

David Bowie - African Night Flight/Lodger

Mark Lanegan - Night Flight to Kabul/Somebody's Knocking

Bad History Month - The Flight from Hell/Death Takes a Holiday

Low - Fly/Double Negative

Teenage Fanclub - Fear of Flying/Thirteen


Crank up your in-flight playlist RIGHT HERE, captain!


Tuesday, April 08, 2025

Completely Conspicuous 653: Smarch Madness

Part 1 of my conversation with guest Phil Stacey as we talk our way through a March Madness-style tournament of our favorite rock artists. Listen to the episode below or download directly (right click and "save as").

Show notes:

  • We left out artists that we both didn't like: Grateful Dead, Black Sabbath, Radiohead, Joni Mitchell, Phish, Iron Maiden
  • Also had to leave off a number of artists just for space considerations: Ramones, AC/DC, Feelies, Breeders, Camper Van Beethoven, etc.
  • Some tough matchups in round 1 with randomized seeding
  • The Smiths vs. PJ Harvey
  • Spoon vs. Courtney Barnett
  • Led Zeppelin vs. Bob Dylan
  • The Cure vs. Prince
  • Elton John vs. James Brown
  • Pavement vs. Queens of the Stone Age
  • Buffalo Tom vs. Rush
  • Allman Brothers Band vs. Soundgarden
  • The Kinks vs. The Rolling Stones
  • Alice in Chains vs. Beastie Boys
  • Bob Marley vs. The Cure
  • Joe Jackson vs. The Afghan Whigs
  • The Tragically Hip vs. Velvet Underground
  • The Clash vs. Iggy Pop
  • Stevie Ray Vaughan vs. The Police
  • Sloan vs. Mark Lanegan
  • To be continued with the rest of Round 1

Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Friday, April 04, 2025

Stuck In Thee Garage #574: April 4, 2025

Hey, I get it. The world kinda sucks right now. Which is why radio is more important than ever; you need something to get your mind off the constant stream of bad news. Unfortunately, commercial radio blows, but that's where the innernet comes in. This week on Stuck In Thee Garage, I played hot new stuff from the Taxpayers, Bria Salmena and Destroyer in hour 1 and rock blocks in hour 2. It's just like the old days with Dr. Johnny Fever, only...not.


This playlist rocks the block:

Hour 1

Artist - Song/Album

The Taxpayers - Evil Everywhere/Circle Breaker

Bria Salmena - Rags/Big Dog

The Drowns - View from the Bottom/View from the Bottom (2025 Jack Endino Remaster)

Destroyer - Sun Meet Snow/Dan's Boogie

Daniel Kleederman - Answers/Another Life

Spun Out - Pale Green Sky/Dream Noise

Escape-ism - Beneath the Underground/Charge of the Love Brigade

Throwing Muses - Libretto/Moonlight Concessions

Cameron Keiber - Beach Party Iran 1970/Nurser

Bob Mould - Sharp Little Pieces/Here We Go Crazy

The Murder Capital - Can't Pretend to Know/Blindness

Rough Francis - Moving Backwards/Fall EP

Kestrels - Total Bummer/Better Wonder

Pigeon Pit - Keys to the City/Crazy Arms

The Laughing Chimes - A Promise to Keep/Whispers in the Speech Machine

FACS - Talking Haunted/Wish Defense


Hour 2: Rock blocks

The New Pornographers - Letter from an Occupant/Mass Romantic

A.C. Newman - Encyclopedia of Classic Takedowns/Shut Down the Streets

Neko Case - Star Witness/Fox Confessor Brings the Flood

Destroyer - Your Blood/Destroyer's Rubies

Boss Hog - Walk In/Boss Hog

Boss Hog - I'm Not Like Everybody Else/Suburbia soundtrack

Boss Hog - Billy/Brood X

Public Enemy - Prophets of Rage/It Takes a Nation of Millions to Hold Us Back

Public Enemy - Brothers Gonna Work It Out/Fear of a Black Planet

Public Enemy - Gotta Give the Peeps What They Need/Revolverlution

Black Sabbath - The Wizard/Black Sabbath

Black Sabbath - Supernaut/Vol. 4

Black Sabbath - Never Say Die/Never Say Die

Black Sabbath - Turn Up the Night/Mob Rules


Blast the blocks by clicking this, slick!

Unsung: Just Like Punk, Except It's Cars

Unsung  is a feature in which I take a look at a pop culture phenomenon (be it music, TV, literary, whatever) that has been forgotten or und...