Videodrone is a weekly feature looking at music videos from the last half century.
Sunday, March 22, 2026
Videodrone #11: Heartbeat
Friday, March 20, 2026
Stuck In Thee Garage #624: March 20, 2026
The old cliche says that truth is stranger than fiction and it's kinda hard to argue: Just look around you. The whole world's going crazy. This week on Stuck In Thee Garage, I've got new music from Mclusky, Kim Gordon, Daniel Romano and the Lemon Twigs in hour 1 and songs based on real events in hour 2. It's not as ripped from the headlines as Law & Order SVU, but it still rips nonetheless.
You've got the right to rock the f out:
Hour 1
Artist - Song/Album
Mclusky - As a Dad/I Sure Am Getting Sick of This Bowling Alley
Kim Gordon - No Hands/PLAY ME
Charm School - Scene Queen/Schadenfreude Ploy
Nothing - Toothless Coal/A Short History of Decay
Daniel Romano and the Outfit - Unseeable Root/Preservers of the Pearl
The Lemon Twigs - I Just Can't Get Over Losing You/Look for Your Mind!
Telehealth - Cool Job/Green World Image
EXEK - Visiting Dust Bunnies/Prove the Mountains Move
Courtney Barnett - Sugar Plum/Creature of Habit
Ratboys - Open Up/Singin' to an Empty Chair
Crooked Fingers - From All Ways (feat. Matt Berninger)/Swet Deth
Gorillaz - Delirium (feat. Mark E. Smith)/The Mountain
Cardinals - The Burning of Cork/Masquerade
Joyce Manor - Well, Whatever It Was/I Used to Go to This Bar
Gee Whiz! - Hyde & Seek/How to Manage a Crisis
Gord Downie, the Sadies, and the Conquering Sun - I Got a Right/Live at 6 O'Clock
Fugazi - Smallpox Champion (Albini Session)/Albini Sessions (Benefit for Letters Charity)
Hour 2: Based on real events
Elvis Costello - Let Him Dangle/Spike
R.E.M. - What's the Frequency, Kenneth?/Monster
At the Drive-In - Invalid Litter Dept./Relationship of Command
Nirvana - Polly/Live in Delmar, CA 12/28/91
Living Colour - This Little Pig/Stain
Nick Cave and the Bad Seeds - Stagger Lee/Murder Ballads
PJ Harvey - All & Everyone/Let England Shake
Savages - Marshal Dear/Silence Yourself
Titus Andronicus - A Pot in Which to Piss/The Monitor
The Boomtown Rats - I Don't Like Mondays/The Fine Art of Surfacing
The Tragically Hip - Montreal (live)/Saskadelphia
Death from Above 1979 - Trainwreck 1979/The Physical World
Sunday, March 15, 2026
Videodrone #10: Be Chrool to Your Scuel
Videodrone is a weekly feature looking at music videos from the last half century.
Be Chrool to Your Scuel (1985)
Friday, March 13, 2026
Stuck In Thee Garage #623: March 13, 2026
This is our second Friday the 13th in a row. I don't know about you, but I feel lucky. I didn't say which kind of luck. Anyhoo, this week on Stuck In Thee Garage I played new music from Charm School, Gee Whiz! and EXEK in hour 1 and songs from 1996 in hour 2!
The playlist is in the trunk:
Hour 1
Artist - Song/Album
Fugazi - Walken's Syndrome (Albini Session)/Albini Sessions (Benefit for Letters Charity)
Gord Downie, The Sadies, and The Conquering Sun - If You Have Ghosts/Live at 6 O'Clock
Charm School - Schadenfreude Ploy/Schadenfreude Ploy
Gee Whiz! - Magic Carpets/How to Manage a Crisis
Courtney Barnett - Mantis/Creature of Habit
Anna Calvi and Perfume Genius - I See a Darkness/Is This All There Is?
Gorillaz - The God of Lying (feat. IDLES)/The Mountain
Nothing - Essential Tremors/A Short History of Decay
Cootie Catcher - Quarter Note Rock/Something We All Got
Crooked Fingers - Lena/Swet Deth
EXEK - Sidestepping/Prove the Mountains Move
Cardinals - Barbed Wire/Masquerade
Greg Freeman - Rome, New York/Burnover
Juliana Hatfield - Strong Too Long/Lightning Might Strike
Dry Cleaning - Blood/Secret Love
Hour 2: 1996
Sleater-Kinney - Anonymous/Call the Doctor
Frank Black - You Ain't Me/The Cult of Ray
Sebadoh - Zone Doubt/Harmacy
Superdrag - Sucked Out/Regretfully Yours
Weezer - El Scorcho/Pinkerton
Sloan - Autobiography/One Chord to Another
Lush - 500/Lovelife
Beck - Hotwax/Odelay
D Generation - Major/No Lunch
Screaming Trees - Witness/Dust
Pearl Jam - In My Tree/No Code
The Afghan Whigs - Summer's Kiss/Black Love
Nick Cave and the Bad Seeds - Crow Jane/Murder Ballads
Mark Morrison - Return of the Mack/Return of the Mack
Blackstreet - No Diggity (feat. Dr. Dre and Queen Pen)/Another Level
Busta Rhymes - Woo Hah!! Got You All in Check/The Coming
Sunday, March 08, 2026
Videodrone #9: Torture
Videodrone is a weekly feature looking at music videos from the last half century.
Torture (1984)
As MTV became a huge force in the marketing of music in the early '80s, artists began to change the way they thought about music videos. Straight performance videos weren't going to cut it anymore. Artists and labels began to think big and by 1984, music videos were considered mini-movies and had the big budgets to prove it.
While many hard rock and metal videos began to embrace apocalyptic or sci-fi themes (see Dio's "The Last in Line," The Scorpions' "Rock You Like a Hurricane," Deep Purple's "Knocking at Your Back Door" and Iron Maiden's "2 Minutes to Midnight"), other genres mined that territory as well. Rick Springfield's "Bop 'Til You Drop" found him performing among enslaved humanoids on an alien planet, Scandal's video for their hit "The Warrior" has Patty Smyth singing while some kind of Cats-esque dancing and fighting goes on, and Billy Ocean's "Loverboy" has the R&B hitmaker trapped in space while a bunch of aliens groove to his music in a bar that was totally not supposed to be the Star Wars cantina. Oh yes, the cash and the cocaine flowed freely in the '80s, my friends.
But when it came to high-concept videos, the bar had been set in December 1983 by Michael Jackson's "Thriller," a 14-minute short film directed by John Landis that was a huge hit and gave a a boost to sales of the album of the same name, which had already been out for more than a year. After Michael reunited with his brothers in '83, it set the stage for the former Jackson 5 (now called the Jacksons because youngest brother Randy had joined) to record an album. With Michael's popularity at its peak, the Jacksons reunion album was a cinch to be a monster hit.
However, when they got in the studio, tensions were high among the brothers and they rarely worked together on songs. The album, Victory, was mainly solo songs that they were working on at that time. The first single was "State of Shock," a funk duet that Michael originally recorded with Freddie Mercury. When they were unable to complete the version, a new one was recorded with Mick Jagger. The song was a hit, reaching #3 on the Billboard Hot 100.
The second single was "Torture," which was written by Jackie Jackson and songwriter Kathy Wakefield. It was originally supposed to be sung by Jackie and Michael, but when Jermaine Jackson became available at the last minute, he took over co-lead vocals with Michael. However, when it came time to shoot the video, Michael and Jermaine refused to appear in it, so director Jeff Stein rented a wax figure of Michael from Madame Tussaud's museum in Nashville; it appears in three scenes in the video.
The song was about the end of a relationship and how it felt like torture, but the video concept went in the other direction and had the other members of the Jacksons being subjected to various types of torture in some space cavern or something. The torture is doled by aliens in sparkly gimp masks, while dancers gyrate around. Oh, and there are dancing skeletons because why not? In addition to whippings, the brothers are caught in giant spider webs, get goo on their hands that cause eyeballs to grow out of them and get trapped in a giant condom-esque bubble.
Speaking of the dancers, one of them was a young Paula Abdul, who was dating Jackie at the time. Original choreographer Perri Lister was let go and replaced by Abdul, who was a dancer for the LA Lakers then (a few years later, she would famously serve as Janet Jackson's choreographer for the Control album and videos, appearing in "Nasty," and a few years after that, become a pop star in her own right). Abdul also became the choreographer for the Jacksons' Victory tour.
The video shoot went over schedule and over budget, and the Jacksons themselves stopped showing up by the end of shooting. Picture Music International, the video's production company, reportedly went bankrupt because of the "Torture" shoot and its exorbitant costs, although Stein denies that the video was the cause for the company's demise.
The song itself was moderately successful, reaching #17 on the Billboard Hot 100 and #9 on the Hot Dance Club Play chart, but it was pretty generic and forgettable.
But the "Torture" video wasn't the biggest disaster revolving around the Jacksons that year. That was reserved for the Victory Tour, which took place in North American from July to December 1984. There were 55 shows, all but two held at stadiums, and most of the music performed was from Michael's albums Thriller and Off the Wall. Indeed, none of the songs from the Victory album were performed on the tour, although I doubt anybody in the audiences cared.
Don King promoted the tour, but the primary promoter was Chuck Sullivan, son of Billy Sullivan, then-owner of the New England Patriots. He overextended himself and offered the Jacksons 83% of the tour's income, guaranteeing them $36.6 million. He put the Patriots' stadium, then known as Sullivan Stadium, down as $12.5 million collateral. Sullivan initially estimated he would earn $13 million from the tour, later downgraded that to $3 million and then $500,000. Eventually, Sullivan's losses were estimated to be $22 million. After his divorce left him near bankrupt, he was forced to sell the Patriots and Sullivan Stadium in 1988.
Part of the problem was the massive stage designed by Michael, which at 365 tons and 19,200 square feet long had to be transported by over 30 tractor trailers. In some venues, the stage was so large it required the use of some of the seating area.
And then were the ticket sales. Prospective concertgoers were required to send a money order (remember those?) for $120 and a lottery form to buy four tickets at $30 each. During the six to eight weeks for the lottery to go through, the $120 was placed into a money market account earning 7% annual interest until it was time to return the money to unsuccessful purchasers. Since only 1 in 10 people would win the ticket lottery, there would be more money in the bank than tickets to sell during that time period, allowing the Jacksons and team to earn $10 million to $12 million in interest. Michael was against the plan, believing it would be a PR disaster, and he was right. The high ticket price ($30 in 1984 was more than most concerts charged) meant many of Michael's fans would not be able to afford tickets. Some of those fans spoke out publicly against the tour's expensiveness and the Jacksons were forced to backtrack.
Meanwhile, the tensions between the Jackson brothers grew even more pronounced during the tour and at the last show, Michael announced it was the last time Jacksons would ever perform together. This was a surprise to King and the other Jacksons, who were already planning European and Australian legs of the tour; those plans were canceled. Michael went back to his very successful solo career, which would run into some serious problems in the '90s. The other Jackson brothers appeared at Michael's 30th anniversary concert in 2001 to perform a medley, but that was the last time all six Jacksons performed together on stage.
Friday, March 06, 2026
Stuck In Thee Garage #622: March 6, 2026
With all the insanity going on in these parts lately, it's helpful to remember that things are a lot less crazy north of the border. This week on Stuck In Thee Garage, I paid tribute to my homiez up north with songs by Canadian artists in hour 2, including a tribute to the late Terry Watkinson of the wonderfully weird Max Webster. The first hour is nothing to sneeze at, either, with new music from the likes of Nothing, Cardinals, Anna Calvi and Iggy Pop, Gorillaz and Cootie Catcher. Enjoy the hott rock but be careful not to fall into the Pit of Ultimate Darkness.
And now, the sleep of ages:
Hour 1
Artist - Song/Album
Nothing - Cannibal World/A Short History of Decay
Cardinals - St. Agnes/Masquerade
Ratboys - Anywhere/Singin' to an Empty Chair
Metric - Victim of Luck/Romanticize the Dive
Courtney Barnett - Site Unseen (feat. Waxahatchee)/Creature of Habit
Anna Calvi and Iggy Pop - God's Lonely Man/Is This All There Is?
Gorillaz - Casablanca (feat. Paul Simonon and Johnny Marr)/The Mountain
Crooked Fingers - Spray Tan Speed Queen (In a German Car)/Swet Deth
GUV - Crash Down Feeling/Warmer Than Gold
Remember Sports - Cut Fruit/The Refrigerator
Cootie Catcher - Puzzle Pop/Something We All Got
Mitski - Where's My Phone?/Nothing's About to Happen to Me
Genesis Owusu - Stampede/Single
Radium Dolls - Rat Song (For a Film)/Wound Up
The Bret Tobias Set - Tuff Sleddin'/Tuneless Blues
Joyce Manor - After All You Put Me Through/I Used to Go to This Bar
Plasma Driver - Deliverance/Night Whispers
Hour 2: Canada
Max Webster - Let Go the Line/A Million Vacations
April Wine - All Over Town/Nature of the Beast
Triumph - Lay It On the Line/Just a Game
Metric - Gold Guns Girls/Fantasies
Black Mountain - Stormy High/In the Future
Broken Social Scene - Windsurfing Nation/Broken Social Scene
PUP - See You at Your Funeral/Morbid Stuff
Preoccupations - Zodiac/Preoccupations
Constantines - Hard Feelings/Kensington Heights
METZ - Hail Taxi/Atlas Vending
Chixdiggit - Shadowy Bangers from a Shadowy Duplex/Chixdiggit
Danko Jones - Baby Hates Me/Sleep is the Enemy
Tricky Woo - Fly the Orient/Sometimes I Cry
The Pursuit of Happiness - Cigarette Dangles/The Downward Road
Joel Plaskett Emergency - Work Out Fine/Truthfully Truthfully
Sloan - Out to Lunch/B Sides Win: extras, bonus tracks and b-sides 1992-2008
Tuesday, March 03, 2026
Completely Conspicuous 672: Amazing Disgrace
Part 2 of my conversation with guest Phil Stacey as we pick our favorite underrated albums. Listen to the episode below or download directly (right click and "save as").
Show notes:
- Jay's #6: The Spinanes with a decidedly not-grunge album on Sub Pop
- Female singer-songwriter teamed with kickass drummer
- Phil's #5: Power pop that never hit big from Boston's Gigolo Aunts
- Got a song on the Dumb and Dumber soundtrack
- Jay's #5: Another power pop gem from the Velvet Crush
- Saw them play in Austin in '94
- Phil's #4: B-52s avoid the sophomore slump and getting labeled as a novelty act
- Didn't hit as hard as the debut, but strong nonetheless
- Jay's #4: Late '80s/early '90s anthemic indie rock from O-Positive
- Influenced by R.E.M. and briefly on CBS
- Phil's #3: More Boston-area indie rock with Belly
- Tanya Donelly had a great rock pedigree, first playing with Throwing Muses and Breeders
- Jay's #3: Ex-Dumptruck guitarist Kevin Salem with Replacements/Tom Petty sound
- Released a couple of strong albums in the mid-90s before moving into production
- Phil's #2: U2's electronic departure that turned off a lot of their fans
- They were ahead of the game with the techno sounds
- Bad choice for lead single
- Jay's #2: Again with the power pop, this time from the Posies
- Band fell out of favor, Geffen refused to promote it
- Angry album that nobody heard
- Phil's #1: The Neil Young album where he was backed by Pearl Jam but couldn't publicize it
- "Godfather of grunge" with the biggest band at the time
- Did a brief tour of Europe, couldn't play here because of PJ's Ticketmaster litigation
- Jay's #1: Another major label flameout courtesy of Jawbreaker
- Punk act that faced sellout cries from fanbase, but label didn't like finished product and dropped them
- Great album that was a big influence on emo acts to come
Completely Conspicuous is available through wherever you get podcasts. Subscribe and write a review!
The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.
Sunday, March 01, 2026
Videodrone #8: Mr. Roboto
Videodrone is a weekly feature looking at music videos from the last half century.
Mr. Roboto (1983)
Videodrone #11: Heartbeat
Videodrone is a weekly feature looking at music videos from the last half century. Heartbeat (1986) There have always been performers who ...
-
Part 4 of my conversation with guest Phil Stacey as we crown the winner of a March Madness-style tournament featuring our favorite rock arti...
-
Unsung is a feature in which I take a look at a pop culture phenomenon (be it music, TV, literary, whatever) that has been forgotten or und...


